Meet Sian Winstanley

It wasn’t my technique, it was everything else.

Classical soprano, voice rehabilitation specialist, and someone who has been where you are now.

A head-shot of a smiling Sian in her studio, bright orange glasses atop her head.

My story

Early in my career, I spent six months touring with an opera company, never in one place for more than two nights. Behind the scenes, I was being bullied by the music director. Every time I tried to speak, to anyone, I was talked over and hounded. It's a strange thing when you take away the voice of someone who identifies as a voice user. The panic attacks began.

When that contract ended, I moved abroad into a job with immense pressure and no support. My personal life was in turmoil and I felt completely lost. The panic attacks gave way to nosebleeds that came out of nowhere.

Here's the remarkable part: for a whole year, my singing voice sounded untouched. My body was screaming at me, and I wasn't listening. Only then did I notice a slight pain on one side of my larynx. A scope showed swelling, and that was finally the push I needed to stop.

I took two months off, went home to my mum, and had a few lessons with my old singing teacher from college, who told me there was nothing wrong with my singing. I just needed a break.

I was taught that if you got a vocal injury, it was because you sang badly.

What it taught me

My technique held my voice together for a year under extraordinary strain. What hurt it was everything around it: stress, isolation, fear and exhaustion. I didn't see it that way at the time. It took retraining, and a far better education in how voices really work, for me to understand it.

That's why I don't only look at how you sing. I look at how you're living, what you're carrying, and what your body might be trying to tell you. A struggling voice is not a personal failure. It's information, and we can work with it.

Training and credentials

MUSIC

Masters of Music with Distinction

Bachelors of Music with Distinction

International Opera Studio, Ghent

International Opera Awards Recipient

Arts & Humanities Research Council Recipient

VOCAL HEALTH & THERAPY

Voice Rehabilitation Specialist

Advanced Manual Therapy for Voice

Advanced Vocal Massage

Holistic Full Body Massage

Diploma in Medical Acupuncture for Voice

MIND & VOICE

Counselling skills

Mindfulness for Musicians

Hypnotherapy (in training)

WORKSHOPS & TALKS

Healthy Voice, Happy Choirs

My own workshop, given live to choirs across the UK and online to an international community of musical directors through Total Choir Resources.

Mindfulness & performance anxiety

Interactive workshops for singers, including for Opera Caledonia's Vocal Studio Course.

Vocal Health in Schools

Talks for schools on maintaining a healthy voice. Essential for teachers, the most common vocation to end up at voice clinics.


Education & Outreach

BBC National Chorus of Wales · Scottish Opera · Garsington Opera · Bristol Choral Society · Roses Theatre, Tewkesbury · Stroud Choral Society · Cwmbach Male Choir

Memberships & Recognition

BAPAM Recommended Practitioner

Member of the Federation of Holistic Therapists

Works alongside ENTs and SLTs

CNHC Registered

Member of Vocal Health Education

Treats clients funded through BAPAM, Help Musicians and the Royal Society for Musicians

“If you aren't sure what is going on with your voice but need some guidance and someone who will really take the time to listen, go see Sian.

Chiara, opera singer & dancer

Let’s find out what your voice is telling you.